• Welcome to Rosenthal Fine Art
    • Carl Andre
    • Richard Anuszkiewicz
    • Txomin Badiola
    • Bleda y Rosa
    • Stanley Boxer
    • John Cage
    • Carlos Carulo
    • Felipe Castaneda
    • Giorgio Cavallon
    • Christo and Jeanne-Claude
    • John Deom
    • Yucel Donmez
    • Helen Frankenthaler
    • Sam Gilliam
    • Judith Goldsmith - Circo Series
    • Judith Goldsmith - Undersea Series
    • Jack Goldstein
    • Dimitri HADZI: Historical Echoes
    • Angel HARO
    • Paul Jenkins
    • Sharon Kopriva
    • Sol LeWitt
    • Roy Lichtenstein
    • Clement Meadmore
    • Robert Motherwell
    • Claes Oldenburg
    • Jerry Ott
    • Santiago Parra
    • Robert Rauschenberg
    • Larry Rivers
    • RU-IN52
    • Hunt Slonem
    • Ellsworth Snyder
    • Harry Sudman
    • Allen Vandever
    • Victor Vasarely
    • Kim Eun Young
  • Publications
  • Appraisals
    • Our Story
    • Contact
    • Our Internship Program
    • Summer Sale Continues
    • Contemporary Masters: March 15-April 30
    • Richard Anuszkiewicz Interconnections-Final Works
    • Past-Stanley Boxer: Painting in the Moment
    • Past Exhibition: Clement Meadmore
    • Past: Then and Now
    • Past: Abstract Expressionism
    • Past: Dick Higgins
    • Past: SOFA Chicago 2018
    • Past: Judith Goldsmith
    • Past-UNDERSEA
    • Past: Nico Munuera: Time. Glance. Color
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Rosenthal Fine Art, Inc.

640 North LaSalle Street, Suite 485
Chicago, IL, 60654
312-475-0700
Rosenthal Fine Art, Inc.

Rosenthal Fine Art, Inc.

Rosenthal Fine Art, Inc.

  • Welcome to Rosenthal Fine Art
  • Artists
    • Carl Andre
    • Richard Anuszkiewicz
    • Txomin Badiola
    • Bleda y Rosa
    • Stanley Boxer
    • John Cage
    • Carlos Carulo
    • Felipe Castaneda
    • Giorgio Cavallon
    • Christo and Jeanne-Claude
    • John Deom
    • Yucel Donmez
    • Helen Frankenthaler
    • Sam Gilliam
    • Judith Goldsmith - Circo Series
    • Judith Goldsmith - Undersea Series
    • Jack Goldstein
    • Dimitri HADZI: Historical Echoes
    • Angel HARO
    • Paul Jenkins
    • Sharon Kopriva
    • Sol LeWitt
    • Roy Lichtenstein
    • Clement Meadmore
    • Robert Motherwell
    • Claes Oldenburg
    • Jerry Ott
    • Santiago Parra
    • Robert Rauschenberg
    • Larry Rivers
    • RU-IN52
    • Hunt Slonem
    • Ellsworth Snyder
    • Harry Sudman
    • Allen Vandever
    • Victor Vasarely
    • Kim Eun Young
  • Publications
  • Appraisals
  • About
    • Our Story
    • Contact
    • Our Internship Program
  • Past exhibitions
    • Summer Sale Continues
    • Contemporary Masters: March 15-April 30
    • Richard Anuszkiewicz Interconnections-Final Works
    • Past-Stanley Boxer: Painting in the Moment
    • Past Exhibition: Clement Meadmore
    • Past: Then and Now
    • Past: Abstract Expressionism
    • Past: Dick Higgins
    • Past: SOFA Chicago 2018
    • Past: Judith Goldsmith
    • Past-UNDERSEA
    • Past: Nico Munuera: Time. Glance. Color
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Helen Frankenthaler

Helen Frankenthaler was born to a wealthy Manhattan family on December 12, 1928.  The family took many trips in the summertime, and it was during these trips that Frankenthaler developed her love of the landscape, sea, and sky.

In the 1960s, Frankenthaler began to use acrylic paint in place of oil. She achieved large washes of bright color in acrylic paintings like Canyon (1965), which reveal the possibilities of this new material. In 1964, her work was included in an exhibition curated by Clement Greenberg at the Los Angeles County Museum of Art. Identifying this new strain of painting that emerged out of Abstract Expressionism, Greenberg titled the show Post-Painterly Abstraction his preferred title for the style of painting developed by Frankenthaler, Louis, and Noland, which is more generally referred to as Color Field painting. Frankenthaler also began to show her work internationally, exhibiting at the Venice Biennale in 1966 and the United States Pavilion at Expo, in Montreal in 1967. She simultaneously began to develop her proficiency in other artistic media; in particular, she embraced printmaking, creating woodcuts, aquatints, and lithographs that rivaled her painting in its inventiveness and beauty. 

Frankenthaler continued making art during the 1980s and 1990s, up through the last years of her life. In addition to her work in painting and printmaking, she has experimented with a variety of other media, including clay and steel sculpture, even designing the sets and costumes for England's Royal Ballet. Several years after being honored at the prominent gallery Knoedler and Company with the exhibition Frankenthaler at Eighty: Six Decades.  Frankenthaler died in 2011 at her home in Darien, Connecticut.

 

Further Readings:

Frankenthaler, Helen, and Karen Wilkin. Frankenthaler at Eighty: Six Decades. New York, NY: Knoedler &, 2008.

Fine, Ruth, and Helen Frankenthaler. Helen Frankenthaler: Prints. Washington: National Gallery of Art, 1993.

Helen Frankerthaler: http://www.theartstory.org/artist-frankenthaler-helen.htm

Helen Frankerthaler:  http://www.moma.org/collection/artist.php?artist_id=1974

Helen Frankenthaler

Helen Frankenthaler was born to a wealthy Manhattan family on December 12, 1928.  The family took many trips in the summertime, and it was during these trips that Frankenthaler developed her love of the landscape, sea, and sky.

In the 1960s, Frankenthaler began to use acrylic paint in place of oil. She achieved large washes of bright color in acrylic paintings like Canyon (1965), which reveal the possibilities of this new material. In 1964, her work was included in an exhibition curated by Clement Greenberg at the Los Angeles County Museum of Art. Identifying this new strain of painting that emerged out of Abstract Expressionism, Greenberg titled the show Post-Painterly Abstraction his preferred title for the style of painting developed by Frankenthaler, Louis, and Noland, which is more generally referred to as Color Field painting. Frankenthaler also began to show her work internationally, exhibiting at the Venice Biennale in 1966 and the United States Pavilion at Expo, in Montreal in 1967. She simultaneously began to develop her proficiency in other artistic media; in particular, she embraced printmaking, creating woodcuts, aquatints, and lithographs that rivaled her painting in its inventiveness and beauty. 

Frankenthaler continued making art during the 1980s and 1990s, up through the last years of her life. In addition to her work in painting and printmaking, she has experimented with a variety of other media, including clay and steel sculpture, even designing the sets and costumes for England's Royal Ballet. Several years after being honored at the prominent gallery Knoedler and Company with the exhibition Frankenthaler at Eighty: Six Decades.  Frankenthaler died in 2011 at her home in Darien, Connecticut.

 

Further Readings:

Frankenthaler, Helen, and Karen Wilkin. Frankenthaler at Eighty: Six Decades. New York, NY: Knoedler &, 2008.

Fine, Ruth, and Helen Frankenthaler. Helen Frankenthaler: Prints. Washington: National Gallery of Art, 1993.

Helen Frankerthaler: http://www.theartstory.org/artist-frankenthaler-helen.htm

Helen Frankerthaler:  http://www.moma.org/collection/artist.php?artist_id=1974

Helen Frankenthaler

Helen Frankenthaler

Tribal Sign, 1987, 31 1/2 x 23 3/4 inches