• Welcome to Rosenthal Fine Art
    • Carl Andre
    • Richard Anuszkiewicz
    • Txomin Badiola
    • Bleda y Rosa
    • Stanley Boxer
    • John Cage
    • Carlos Carulo
    • Felipe Castaneda
    • Giorgio Cavallon
    • Christo and Jeanne-Claude
    • John Deom
    • Yucel Donmez
    • Helen Frankenthaler
    • Sam Gilliam
    • Judith Goldsmith - Circo Series
    • Judith Goldsmith - Undersea Series
    • Jack Goldstein
    • Dimitri HADZI: Historical Echoes
    • Angel HARO
    • Paul Jenkins
    • Sharon Kopriva
    • Sol LeWitt
    • Roy Lichtenstein
    • Clement Meadmore
    • Robert Motherwell
    • Claes Oldenburg
    • Jerry Ott
    • Santiago Parra
    • Robert Rauschenberg
    • Larry Rivers
    • RU-IN52
    • Hunt Slonem
    • Ellsworth Snyder
    • Harry Sudman
    • Allen Vandever
    • Victor Vasarely
    • Kim Eun Young
  • Publications
  • Appraisals
    • Our Story
    • Contact
    • Our Internship Program
    • Summer Sale Continues
    • Contemporary Masters: March 15-April 30
    • Richard Anuszkiewicz Interconnections-Final Works
    • Past-Stanley Boxer: Painting in the Moment
    • Past Exhibition: Clement Meadmore
    • Past: Then and Now
    • Past: Abstract Expressionism
    • Past: Dick Higgins
    • Past: SOFA Chicago 2018
    • Past: Judith Goldsmith
    • Past-UNDERSEA
    • Past: Nico Munuera: Time. Glance. Color
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Rosenthal Fine Art, Inc.

640 North LaSalle Street, Suite 485
Chicago, IL, 60654
312-475-0700
Rosenthal Fine Art, Inc.

Rosenthal Fine Art, Inc.

Rosenthal Fine Art, Inc.

  • Welcome to Rosenthal Fine Art
  • Artists
    • Carl Andre
    • Richard Anuszkiewicz
    • Txomin Badiola
    • Bleda y Rosa
    • Stanley Boxer
    • John Cage
    • Carlos Carulo
    • Felipe Castaneda
    • Giorgio Cavallon
    • Christo and Jeanne-Claude
    • John Deom
    • Yucel Donmez
    • Helen Frankenthaler
    • Sam Gilliam
    • Judith Goldsmith - Circo Series
    • Judith Goldsmith - Undersea Series
    • Jack Goldstein
    • Dimitri HADZI: Historical Echoes
    • Angel HARO
    • Paul Jenkins
    • Sharon Kopriva
    • Sol LeWitt
    • Roy Lichtenstein
    • Clement Meadmore
    • Robert Motherwell
    • Claes Oldenburg
    • Jerry Ott
    • Santiago Parra
    • Robert Rauschenberg
    • Larry Rivers
    • RU-IN52
    • Hunt Slonem
    • Ellsworth Snyder
    • Harry Sudman
    • Allen Vandever
    • Victor Vasarely
    • Kim Eun Young
  • Publications
  • Appraisals
  • About
    • Our Story
    • Contact
    • Our Internship Program
  • Past exhibitions
    • Summer Sale Continues
    • Contemporary Masters: March 15-April 30
    • Richard Anuszkiewicz Interconnections-Final Works
    • Past-Stanley Boxer: Painting in the Moment
    • Past Exhibition: Clement Meadmore
    • Past: Then and Now
    • Past: Abstract Expressionism
    • Past: Dick Higgins
    • Past: SOFA Chicago 2018
    • Past: Judith Goldsmith
    • Past-UNDERSEA
    • Past: Nico Munuera: Time. Glance. Color
Victor Vasarely

Victor Vasarely

Victor Vasarely was born in Hungry in 1906 and moved to Paris in 1930. He Started out as a graphic designer but eventually moved on to produce work that is often considered the beginnings of Optical Art.  He developed a particular style of geometric abstraction, and many of his works were rooted in the area of optical illusion.  Vasarely worked in various materials but used a minimal number of forms and colors. 

Vasarely was at the center of one of the most remarkable art movements in the 20th century.  He moved abstract geometric painting into a new culmination under the name of "kineticism".  In 1955 kinetic art started flourishing in Paris, and that same year Vasarely published his "Yellow Manifest", which dealt with "visual kinetics", in which he explained how the work of constructivism and Bauhaus is newly resumed in the nation of movement and space by visual kinetics. 

The principle of optical illusion was first explored by Vasarely in black and white, but from 1960 color was added to his works.  "Optical Art" first received great acclaim in 1965 with the exhibit in New York Museum of Modern Art called "Responsive Eye", during which Vasarely was named the inventor and create of "Op Art" by the press.  

 

 

Victor Vasarely

Victor Vasarely was born in Hungry in 1906 and moved to Paris in 1930. He Started out as a graphic designer but eventually moved on to produce work that is often considered the beginnings of Optical Art.  He developed a particular style of geometric abstraction, and many of his works were rooted in the area of optical illusion.  Vasarely worked in various materials but used a minimal number of forms and colors. 

Vasarely was at the center of one of the most remarkable art movements in the 20th century.  He moved abstract geometric painting into a new culmination under the name of "kineticism".  In 1955 kinetic art started flourishing in Paris, and that same year Vasarely published his "Yellow Manifest", which dealt with "visual kinetics", in which he explained how the work of constructivism and Bauhaus is newly resumed in the nation of movement and space by visual kinetics. 

The principle of optical illusion was first explored by Vasarely in black and white, but from 1960 color was added to his works.  "Optical Art" first received great acclaim in 1965 with the exhibit in New York Museum of Modern Art called "Responsive Eye", during which Vasarely was named the inventor and create of "Op Art" by the press.  

 

 

Victor Vasarely

Victor Vasarely

Duodim, 1968, oil on canvas, 54" x 27.3"