Rosenthal Fine Art, Inc.
Exhibition: From September 9 - October 13
Rosenthal Fine Art is pleased to present The “Knots” series, 1986-2020 which are among the last paintings that Richard Anuszkiewicz (1930-2020) worked on in his studio at the time of his death.
This group of paintings, presented here for the first time, are perfect examples of illusionism-shattering flatness. The third dimension is present, but in an ambiguous, even paradoxical way. The squares and rectangles are made up of strips that overlap, going over and under each other. Colors seem to oscillate back and forth, each seeming to be in front for a moment and then recede to allow the other to come forward.
The “Knots” may also suggest labyrinths which historically functioned as cosmic diagrams and could be seen as objects for mystical contemplation. Anuszkiewicz’ mathematical approach, his deep quest to understand the nature of color and its interaction of forms combine to create a masterful last series.
A fully illustrated catalogue with an essay by John Dorfman will be published online. The exhibition is presented in conjunction with the Loretta Howard Gallery and will be on view at the gallery from September 9th through October 13th.,
Exhibition: From September 9 - October 13
Rosenthal Fine Art is pleased to present The “Knots” series, 1986-2020 which are among the last paintings that Richard Anuszkiewicz (1930-2020) worked on in his studio at the time of his death.
This group of paintings, presented here for the first time, are perfect examples of illusionism-shattering flatness. The third dimension is present, but in an ambiguous, even paradoxical way. The squares and rectangles are made up of strips that overlap, going over and under each other. Colors seem to oscillate back and forth, each seeming to be in front for a moment and then recede to allow the other to come forward.
The “Knots” may also suggest labyrinths which historically functioned as cosmic diagrams and could be seen as objects for mystical contemplation. Anuszkiewicz’ mathematical approach, his deep quest to understand the nature of color and its interaction of forms combine to create a masterful last series.
A fully illustrated catalogue with an essay by John Dorfman will be published online. The exhibition is presented in conjunction with the Loretta Howard Gallery and will be on view at the gallery from September 9th through October 13th.,
Untitled (Knot No. 1119), 1986-2020
Acrylic on Canvas, 48 x 48 inches
Untitled (Knot No. 1116), 1986-2019
Acrylic on Canvas, 72 x 84 inches
Untitled (Knot No. 1118), 1986-2019
Acrylic on Canvas, 48 x 48 inches
Untitled (Knot No. 1117), 1986-2019
Acrylic on Canvas, 48 x 48 inches
Untitled (Knot No. 1120), 1986-2020
Acrylic on Canvas, 72 x 84 inches
Translumina with Deep Blue (No. 839), 1986
Acrylic on Canvas, 48 x 48 inches
(a related painting to the Knot Series)