• Welcome to Rosenthal Fine Art
    • Carl Andre
    • Richard Anuszkiewicz
    • Txomin Badiola
    • Bleda y Rosa
    • Stanley Boxer
    • John Cage
    • Carlos Carulo
    • Felipe Castaneda
    • Giorgio Cavallon
    • Christo and Jeanne-Claude
    • John Deom
    • Yucel Donmez
    • Helen Frankenthaler
    • Sam Gilliam
    • Judith Goldsmith - Circo Series
    • Judith Goldsmith - Undersea Series
    • Jack Goldstein
    • Dimitri HADZI: Historical Echoes
    • Angel HARO
    • Paul Jenkins
    • Sharon Kopriva
    • Sol LeWitt
    • Roy Lichtenstein
    • Clement Meadmore
    • Robert Motherwell
    • Claes Oldenburg
    • Jerry Ott
    • Santiago Parra
    • Robert Rauschenberg
    • Larry Rivers
    • RU-IN52
    • Hunt Slonem
    • Ellsworth Snyder
    • Harry Sudman
    • Allen Vandever
    • Victor Vasarely
    • Kim Eun Young
  • Publications
  • Appraisals
    • Our Story
    • Contact
    • Our Internship Program
    • Summer Sale Continues
    • Contemporary Masters: March 15-April 30
    • Richard Anuszkiewicz Interconnections-Final Works
    • Past-Stanley Boxer: Painting in the Moment
    • Past Exhibition: Clement Meadmore
    • Past: Then and Now
    • Past: Abstract Expressionism
    • Past: Dick Higgins
    • Past: SOFA Chicago 2018
    • Past: Judith Goldsmith
    • Past-UNDERSEA
    • Past: Nico Munuera: Time. Glance. Color
Menu

Rosenthal Fine Art, Inc.

640 North LaSalle Street, Suite 485
Chicago, IL, 60654
312-475-0700
Rosenthal Fine Art, Inc.

Rosenthal Fine Art, Inc.

Rosenthal Fine Art, Inc.

  • Welcome to Rosenthal Fine Art
  • Artists
    • Carl Andre
    • Richard Anuszkiewicz
    • Txomin Badiola
    • Bleda y Rosa
    • Stanley Boxer
    • John Cage
    • Carlos Carulo
    • Felipe Castaneda
    • Giorgio Cavallon
    • Christo and Jeanne-Claude
    • John Deom
    • Yucel Donmez
    • Helen Frankenthaler
    • Sam Gilliam
    • Judith Goldsmith - Circo Series
    • Judith Goldsmith - Undersea Series
    • Jack Goldstein
    • Dimitri HADZI: Historical Echoes
    • Angel HARO
    • Paul Jenkins
    • Sharon Kopriva
    • Sol LeWitt
    • Roy Lichtenstein
    • Clement Meadmore
    • Robert Motherwell
    • Claes Oldenburg
    • Jerry Ott
    • Santiago Parra
    • Robert Rauschenberg
    • Larry Rivers
    • RU-IN52
    • Hunt Slonem
    • Ellsworth Snyder
    • Harry Sudman
    • Allen Vandever
    • Victor Vasarely
    • Kim Eun Young
  • Publications
  • Appraisals
  • About
    • Our Story
    • Contact
    • Our Internship Program
  • Past exhibitions
    • Summer Sale Continues
    • Contemporary Masters: March 15-April 30
    • Richard Anuszkiewicz Interconnections-Final Works
    • Past-Stanley Boxer: Painting in the Moment
    • Past Exhibition: Clement Meadmore
    • Past: Then and Now
    • Past: Abstract Expressionism
    • Past: Dick Higgins
    • Past: SOFA Chicago 2018
    • Past: Judith Goldsmith
    • Past-UNDERSEA
    • Past: Nico Munuera: Time. Glance. Color
Untitled (Knot No. 1120), 1986

Richard Anuszkiewicz

I'm interested in making something romantic out of a very, very mechanistic geometry. Geometry and color represent to me an idealized classical place that's very clear and very pure. -Richard Anuskiewicz

Richard Anuszkiewicz received his bachelor’s degree from Cleveland Institute of Art in Ohio in 1953. He studied at Yale University School of Art and Architecture in New Haven, Connecticut from 1953 to 1955, where he earned his Masters of Fine Arts. His works were included in the seminal 1965 exhibition The Responsive Eye at the Museum of Modern Art and along with Victor Vasarely and Bridget Riley; he was considered a pioneer of the Optical Art Movement. Life magazine called him “The New Wizard of Op.”

While Anuszkiewicz is known for his important developments as an Op Artist, his paintings also call fourth other associations; mainly the rigorous color theory of his mentor Josef Albers. Anuszkiewicz activates the space around his vividly chromatic squares with diagonals radiating lines to suggest volumes of depth. His paintings explore the optical properties of color; challenging the eye of each viewer while investigating formal, structural and color effects

His work is included in many important public and private collections including The Albright-Knox Art Gallery, Buffalo, NY, Art Institute of Chicago, Chicago, IL, Brooklyn Museum, Brooklyn, NY, The Corcoran Museum of Art, Washington, DC, Denver Museum of Art, Denver, CO, Detroit Institute of Art, Denver, CO, Solomon R Guggenheim Museum, New York, NY, Hirschhorn Museum and Sculpture Garden, Washington, DC., Metropolitan Museum of Art, New York, NY, Museum of Modern Art, New York, NY, Philadelphia Museum of Art, Philadelphia, PA and the Whitney Museum of American Art, New York, NY.

Richard Anuszkiewicz

I'm interested in making something romantic out of a very, very mechanistic geometry. Geometry and color represent to me an idealized classical place that's very clear and very pure. -Richard Anuskiewicz

Richard Anuszkiewicz received his bachelor’s degree from Cleveland Institute of Art in Ohio in 1953. He studied at Yale University School of Art and Architecture in New Haven, Connecticut from 1953 to 1955, where he earned his Masters of Fine Arts. His works were included in the seminal 1965 exhibition The Responsive Eye at the Museum of Modern Art and along with Victor Vasarely and Bridget Riley; he was considered a pioneer of the Optical Art Movement. Life magazine called him “The New Wizard of Op.”

While Anuszkiewicz is known for his important developments as an Op Artist, his paintings also call fourth other associations; mainly the rigorous color theory of his mentor Josef Albers. Anuszkiewicz activates the space around his vividly chromatic squares with diagonals radiating lines to suggest volumes of depth. His paintings explore the optical properties of color; challenging the eye of each viewer while investigating formal, structural and color effects

His work is included in many important public and private collections including The Albright-Knox Art Gallery, Buffalo, NY, Art Institute of Chicago, Chicago, IL, Brooklyn Museum, Brooklyn, NY, The Corcoran Museum of Art, Washington, DC, Denver Museum of Art, Denver, CO, Detroit Institute of Art, Denver, CO, Solomon R Guggenheim Museum, New York, NY, Hirschhorn Museum and Sculpture Garden, Washington, DC., Metropolitan Museum of Art, New York, NY, Museum of Modern Art, New York, NY, Philadelphia Museum of Art, Philadelphia, PA and the Whitney Museum of American Art, New York, NY.

Untitled (Knot No. 1120), 1986-2020

Untitled (Knot No. 1120), 1986-2020

Acrylic on canvas

72 x 84 inches

Untitled (Knot No. 1119), 1986-2020

Untitled (Knot No. 1119), 1986-2020

Acrylic on Canvas

48 x 48 inches

Untitled (Knot No. 1116), 1986-2019

Untitled (Knot No. 1116), 1986-2019

Acrylic on Canvas

72 x 84 inches

Translumina with Deep Blue (No. 839), 1986

Translumina with Deep Blue (No. 839), 1986

Acrylic on Canvas

48 x 48 inches

(a related painting to the Knot Series)

Untitled (Knot No. 1118), 1986-2019

Untitled (Knot No. 1118), 1986-2019

Acrylic on Canvas

48 x 48 inches

Untitled (Knot No. 1117), 1986-2019

Untitled (Knot No. 1117), 1986-2019

Acrylic on Canvas

48 x 48 inches